Reversed Volumes by Mischer’Traxler
The use of ceramic powder, which becomes really hard without being fired, gives the possibility that each bowl is as unique as the actual used fruit /vegetable.
fuckyeaharthropods: I had to wait a good while for the queen to fly off before I could get the pictures of the larvae. There were a few stressful moments when she would suddenly stop tending to her brood and just sit perfectly motionless watching me. Luckily I managed to get these shots without getting stung.
Mosque Dome
Aude Moreau - Sugar Carpet. The ephemeral installation Tapis de sucre covers the floor of the exhibition space with refined sugar.
It’s unbelievable this is made of sugar!
Iindia …2500 - 1000 BC
Don’t look up.
AN OTTOMAN SET OF DAMASCENED CALLIGRAPHER’S TOOLS, 19TH CENTURY
Osmanlı Hattat Aletleri, 19.Yüzyıl
Islamic Gate Pattern, Al-Ghouri Mosque, Cairo, Egypt
by yayad
Artist Simon Beck must really love the cold weather! Along the frozen lakes of Savoie, France, he spends days plodding through the snow in raquettes (snowshoes), creating these sensational patterns of snow art. Working for 5-9 hours a day, each final piece is typically the size of three soccer fields! The geometric forms range in mathematical patterns and shapes that create stunning, sometimes 3D, designs when viewed from higher levels.
Are you going to New York’s brand new Museum of Math?
What to do there: http://tmout.us/gamg4
FUCK IM THERE
The floating mountains of Yasuaki Onishi at Rice Gallery, Houston - Installation
In his installation, “Reverse Volume of RG” at Rice Gallery in Houston, Texas, Yasuaki Onishi uses the simplest materials: with plastic sheeting and glue, he creates a monumental work. Mountains seem to float in space.
The process he calls “the invisible casting” implies a sheet of plastic wrap on a cardboard structure which is then removed to leave its mark. This process is reversed sculpture in the heart of the work of Onishi and reflections that are focused on a vision of nature as a negative space, abandoned.
These plastic sheeting semi-translucent and misty, held by thin black glue flows, fueling a vision of a fragile nature, although it seems huge.
” ~ antique Japanese Seto-made square pottery tile (Shikigawara) engraved with the traditional arabesque pattern (Karakusa), covered with mature darkened green-glaze of Oribe style, ~”
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hotoke antiques
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