During my residency, 'Sculpting with Light: Medieval and Modern Cosmology' at Durhum University, I confronted human attempts to grasp and master the structure and meaning of the universe. I investigated the world of medieval cosmology from Aristotle to Dante, exploring the central importance of light to the universe in both periods, and ideas about unity and complexity, order and disorder, structure and entropy.
The relationship of light and dark, and the nature of light and its philosophical significance became a motif for the continuum of knowledge and awakening. Through Empyrean we see a geometric representation not only of the medieval cosmos but also of Dante’s ascension to the firmament.
Referencing Bishop Robert Grosseteste’s treatise De Luce, which illustrates how the universe came into being through light, much like our current notion of the Big Bang, I examined the geometry of expanding spherical space. In addition, elements of Grosseteste’s De Sphera feature, in its attention to observational points in relation to the movements of the celestial bodies.
The act of observation and perspective is central in this piece, highlighting how visual perception informs our experience of reality and our place in the cosmos. Motion and parallax are employed to create the illusion of expanding spheres of the medieval cosmos. As the viewer moves around Empyrean, their focus shifts from the central spheres, highlighted by strategically placed golden accents, which spread further to the outer, more ethereal spheres. The growing spheres become more elusive in the viewers’ eyes, echoing Dante’s inability to fully comprehend the pure light of God as he ascends through his journey.
Empyrean - Glass, steel, brass, aluminium, Perspex, acrylic, mdf. 1.1m x 2m
Supported by The Leverhulme Trust.